![]() It was agreed upon that the estate of Contursi and Maroni, due to the success of the revised lyrics, would receive 20% of royalties while Rodriguez’s estate would receive 80%. In 1948, Canaro, who was at the time the president of the Argentine Society of Authors and Composers, came up with a legally binding agreement that put an end to the lawsuits. Maroni had composed a very pretty scene and adapted to the score and that Carlitos sang it to Gardel with extraordinary success.’” Following this discovery would be two decades of lengthy court cases that fought over copyright issues and royalties concerning La Cumparsita. Canaro himself played ‘Si Supieras’ and told Rodriguez, ‘I told him how it had resurged again and how it was the rage by all orchestras that Paschal Contursi and Enrique P. Later on, according to, “Rodriguez learned of the song’s popularity through orchestra leader Francisco Canaro while they were in Paris. Enrique Maroni and Pascual Contursi added words to it and renamed it to Si Supieras without Rodriguez's consent.” It was only a matter of time before the revised version of La Cumparsita became known all over the world, especially since the renowned Carlos Gardel also made his recording of the Si Supieras. ![]() For this scene was selected already forgotten tango. For the play, Paschal Contursi wrote a scene called 'If you knew' and, as was the custom, decided to connect it to the music of a tango already composed (without authorization of the composer). The process was that each play required a special tango (in fact, as a result of this process, some famous tangos came to light). The post further elaborates: “On this day, Leopoldo Simari's company had a play in the Apolo theater called 'A Program of a Night Club', an original by Paschal Contursi and Enrique P. Rodríguez’s first recognized work is said to have been his best, a piece he called La Cumparsita.”Īccording to La Cumparsita - the most famous tango song, La Cumparsita ended up being forgotten for many years until it was performed for a series of theater plays called “A Program of a Night Club” on June 6, 1924. According to La Cumparsita (Tango’s Most Popular Music) – Is it Uruguay’s or Argentina’s?, “His exposure to the music in his father’s cabaret must have had an influence on the young Becho. ![]() It is no surprise, however, that the young Becho would find familiarity in such a place, considering that his father, Emilio Matos, was the owner of a popular local cabaret called Moulin Rouge. ![]() Known as ‘the underbelly,’ the area still preserved remnants of the wall - extending toward the coast - that had enclosed the original city.” During Becho’s teenage years, Café La Giralda or La Giralda Café on Avenida 18 de Julio, at the corner of Calle Andes in Montevideo, was a trendy place, though certainly not one frequented by the upper classes or those who generally viewed tango as a socially unacceptable affair.Īn article One Hundred Years of “La Cumparsita” describes the dual nature of Calle Andes around the time the La Cumparsita was first played: “In 1917, Calle Andes had a split personality: on the Avenida 18 de Julio side were the theaters frequented by the general public the other side of the avenue embraced sinful Montevideo, the city of cabarets and brothels, where the revelry included the scandalous tango.
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